<?xml version="1.0" encoding="UTF-8"?>
<rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><atom:link rel="hub" href="http://tumblr.superfeedr.com/" xmlns:atom="http://www.w3.org/2005/Atom"/><description>Fuelled by ginger wine &amp; late nights, Stewed Rhubarb Press specialises in publishing pamphlets &amp; poetry by the best spoken word artists out there. </description><title>http://stewedrhubarb.org/</title><generator>Tumblr (3.0; @stewedrhubarb)</generator><link>http://stewedrhubarb.org/</link><item><title>Not Entirely Beautiful by Anne Connolly
Anne Connolly was born...</title><description>&lt;img src="http://24.media.tumblr.com/56f1f8ef8725f8c904e1fde31a44c900/tumblr_mml59ook0s1rf13gfo1_400.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Not Entirely Beautiful &lt;/i&gt;by Anne Connolly&lt;/b&gt;&lt;br/&gt;&lt;br/&gt;
Anne Connolly was born in Northern Ireland where home and school were seminal in nourishing the love of poetry. She taught there for a couple of years before moving briefly to England and eventually settling with her family in Scotland. Her most recent work has been as an independent advocate for and with older people in long-term care. Her poems have been published by Horizon, Salt Publishing; Magma;  Mslexia; Poetry Scotland; Quarrtsiluni; The Tablet and Agenda. Her pamphlet &lt;i&gt;Downside Up&lt;/i&gt; was published by Calder Wood Press in 2008 and her collection &lt;i&gt;Love-in-a-mist&lt;/i&gt; was published by Red Squirrel Press in 2011, reprinted in 2012. Anne currently keeps an eye on the School of Poets at the Scottish Poetry Library. She and a group of fellow members participated recently in a BBC Radio 4 Poetry programme with Ruth Padel. Regular readings with Poetrio are a well-established and fun part of Anne’s life. She reached the Final of the BBC Slam at the Edinburgh Festival in 2011, read at the Scottish Parliament in 2012 and took part in the inaugural Tricolour event at the National Library of Scotland this spring. She feels very lucky to be able to participate in such a wealth of poetry events and appreciates that the flourishing scene here is the voice, both written and heard, that embraces past, present and future in a cornucopia of NOW!&lt;br/&gt;&lt;br/&gt;
ISBN: 978-0-9576363-4-7&lt;br/&gt;&lt;br/&gt;
The poems: &lt;br/&gt;&lt;br/&gt;
Being W.B.&lt;br/&gt;
Preview&lt;br/&gt;
(Haiku)&lt;br/&gt;
County Antrim, 1973&lt;br/&gt;
A Kind of Dancing&lt;br/&gt;
Biabhóg Abú&lt;br/&gt;
Bee Division&lt;br/&gt;
Intermittent&lt;br/&gt;
Ground Control&lt;br/&gt;
Deserted Village&lt;br/&gt;
Timeshare&lt;br/&gt;
Grace Notes&lt;br/&gt;
The Top Step&lt;br/&gt;
The Boy Who Breaks My Sticks&lt;br/&gt;
Limited Edition&lt;br/&gt;
Mouth to Mouth&lt;br/&gt;
Shalt Not&lt;br/&gt;
A Modest Hint&lt;br/&gt;
Miss Quark Finalist 3113&lt;br/&gt;
Do You Want to Play?&lt;br/&gt;&lt;/p&gt;</description><link>http://stewedrhubarb.org/post/50088498400</link><guid>http://stewedrhubarb.org/post/50088498400</guid><pubDate>Fri, 10 May 2013 14:53:00 +0100</pubDate><category>Anne Connolly</category><category>books</category></item><item><title>STEWED RHUBARB PRESENTS... FEBURARY 17TH</title><description>&lt;p&gt;Stewed Rhubarb presents&amp;#8230; readings and pamphlets from&lt;/p&gt;

&lt;p&gt;&lt;b&gt;HARRY GILES&lt;/b&gt; - &lt;i&gt;Visa Wedding&lt;/i&gt;,&lt;/p&gt;

&lt;p&gt;&lt;b&gt;TRACEY S. ROSENBERG&lt;/b&gt; - &lt;i&gt;Lipstick is Always a Plus&lt;/i&gt;,&lt;/p&gt;

&lt;p&gt;&amp;amp; &lt;b&gt;LUCY AYRTON&lt;/b&gt; - &lt;i&gt;Lullabies to Make Your Children Cry&lt;/i&gt;.&lt;/p&gt;

&lt;p&gt;Entry to the Jazz Bar (1a Chambers Street, Edinburgh EH1&amp;#160;1HR) is £3 and includes live jazz until late. :-) The show is 4pm to 6pm on February the 17th, 2013.&lt;/p&gt;

&lt;p&gt;Contrary to popular belief, newspaper can be fashioned into a perfectly good poncho if you know how to go about it.&lt;/p&gt;</description><link>http://stewedrhubarb.org/post/42386617535</link><guid>http://stewedrhubarb.org/post/42386617535</guid><pubDate>Tue, 05 Feb 2013 23:43:00 +0000</pubDate><category>events</category><category>Harry Giles</category><category>Lucy Ayrton</category><category>Tracey S. Rosenberg</category></item><item><title>Lullabies to Make Your Children Cry by Lucy Ayrton
Lucy writes...</title><description>&lt;img src="http://25.media.tumblr.com/23954f9ce53da4b47fbfcd0e43ea0ead/tumblr_mhrt00Ak771rf13gfo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Lullabies to Make Your Children Cry&lt;/i&gt; by &lt;a href="http://facebook.com/lucyayrtonwriter"&gt;Lucy Ayrton&lt;/a&gt;&lt;/b&gt;
&lt;br/&gt;&lt;br/&gt;&lt;a href="http://lucyinthepubwithcider.tumblr.com"&gt;Lucy&lt;/a&gt; writes performance story-poetry, lives in Oxford and works in PR. None of these things were planned. She runs poetry slams and a feminist drinking club. Last summer she performed her debut poetry show, &lt;i&gt;Lullabies to Make Your Children Cry&lt;/i&gt;, at the Edinburgh Festival (“Brilliantly subversive” - The Scotsman, ***** - Sabotage Reviews). Once she had a cocktail that contained both tea and gin. She’s not sure she’ll ever be as happy as that again.&lt;br/&gt;&lt;br/&gt;
ISBN: 978-0-9576363-3-0&lt;br/&gt;&lt;br/&gt;
The poems:
&lt;br/&gt;&lt;br/&gt;
Talking to Strangers&lt;br/&gt;
The Nightingale&lt;br/&gt;
Bonfire Juice&lt;br/&gt;
The China Figures&lt;br/&gt;
Let Me Be Lost&lt;br/&gt;
Lucy and the Dragon&lt;br/&gt;&lt;/p&gt;</description><link>http://stewedrhubarb.org/post/42385113814</link><guid>http://stewedrhubarb.org/post/42385113814</guid><pubDate>Tue, 05 Feb 2013 23:24:00 +0000</pubDate><category>books</category><category>Lucy Ayrton</category></item><item><title>Visa Wedding by Harry GilesBuy OnlineHarry Giles has lived on...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_md7521yAaI1rf13gfo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Visa Wedding&lt;/i&gt; by Harry Giles&lt;/b&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://harrygiles.org/2012/11/17/visa-wedding-poetry-pamphlet-on-sale-now/"&gt;Buy Online&lt;/a&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://harrygiles.org"&gt;Harry Giles&lt;/a&gt; has lived on four islands, each larger than the last. He co-founded &lt;a href="http://inkyfingersedinburgh.wordpress.com/"&gt;Inky Fingers&lt;/a&gt;, the Edinburgh-based spoken word organisation, in October 2010. He is a performance poet, theatre director, and freelance workshop facilitator, and has given feature performances at nights including Chill Pill, JibbaJabba and Last Monday at Rio, won multiple slams including the UK Student Slam (2008), the BBC Scotland Slam (2009), the Glasgow Slam (2010), and been published in journals including &lt;i&gt;Magma&lt;/i&gt;, &lt;i&gt;PANK &lt;/i&gt;and &lt;i&gt;Drey&lt;/i&gt;.
&lt;br/&gt;&lt;br/&gt;
Reviews for &lt;i&gt;Visa Wedding&lt;/i&gt;:&lt;br/&gt;&lt;br/&gt;
Donald Gardner, &lt;a href="http://sabotagereviews.com/2013/03/06/visa-wedding-by-harry-giles/"&gt;Sabotage&lt;/a&gt;: &lt;br/&gt;
“Giles seems to veer between an intellectual, formal severity and a desire to celebrate, a naughtiness that charms. […] His work has a technical maturity.”
&lt;br/&gt;&lt;br/&gt;
The poems:&lt;br/&gt;&lt;br/&gt;
On Ceremony&lt;br/&gt;
Visa Wedding #1&lt;br/&gt;
Waffle House Waiter&lt;br/&gt;
America, Again&lt;br/&gt;
Curriculum&lt;br/&gt;
An Experiment Was Carried Out&lt;br/&gt;
Sermon&lt;br/&gt;
Personal&lt;br/&gt;
2 Days in Paris&lt;br/&gt;
Piercings&lt;br/&gt;
Hidden Track&lt;br/&gt;
Forest&lt;br/&gt;
Vows&lt;br/&gt;
Honeymoon&lt;br/&gt;
The Usual&lt;br/&gt;
Leith Walk&lt;br/&gt;
Visa Wedding #2&lt;br/&gt;
Reception&lt;br/&gt;
Brave&lt;br/&gt;
Disclaimer&lt;br/&gt;&lt;br/&gt;&lt;a href="http://harrygiles.org/2012/11/17/visa-wedding-poetry-pamphlet-on-sale-now/"&gt;Buy Online&lt;/a&gt;&lt;/p&gt;</description><link>http://stewedrhubarb.org/post/35307846459</link><guid>http://stewedrhubarb.org/post/35307846459</guid><pubDate>Fri, 09 Nov 2012 01:20:00 +0000</pubDate><category>Harry Giles</category><category>books</category></item><item><title>Lipstick is Always a Plus by Tracey S. Rosenberg

Tracey S....</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_mcis1iatHW1rf13gfo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Lipstick is Always a Plus&lt;/i&gt; by Tracey S. Rosenberg&lt;/b&gt;&lt;br/&gt;&lt;br/&gt;

Tracey S. Rosenberg won a 2010-2011 New Writers Award from the Scottish Book Trust, during which she completed a full-length poetry collection, &lt;i&gt;Secondary&lt;/i&gt;, and wrote several of the poems included in &lt;i&gt;Lipstick is Always a Plus&lt;/i&gt;. Her debut novel, &lt;a href="http://www.cargopublishing.com/the-girl-in-the-bunker/"&gt;&lt;i&gt;The Girl in the Bunker&lt;/i&gt; (Cargo Publishing)&lt;/a&gt;, was a Scottish bestseller and selected for &lt;i&gt;Scotland on Sunday&lt;/i&gt;’s Books of the Year. She’s a committee member at the Edinburgh-based spoken word collective Inky Fingers, with whom she helps organise open mics, writing workshops, and the occasional slam. A self-professed literary festival junkie, she’s volunteered at StAnza, Word, and the Hay Literary Festival. Originally from Chicago, she now lives permanently in Edinburgh, and in the last few years she’s travelled to Morocco, Jordan, and Easter Island. She has a tattoo of a sea turtle. You’ll probably spot it. If not, feel free to ask.&lt;br/&gt;&lt;br/&gt;
“Through varied subject matter and fresh perspective, Rosenberg’s crystalline poems confront and entertain readers with the unexpected.” - Sarah Ream, Editor of &lt;a href="http://www.poetryinternational.org"&gt;poetryinternational.org&lt;/a&gt;.&lt;br/&gt;&lt;br/&gt;
ISBN: 978-0-9576363-2-3&lt;br/&gt;&lt;br/&gt;
The poems:&lt;br/&gt;&lt;br/&gt;
Canyon Conversation&lt;br/&gt;
Couples&lt;br/&gt;
Perceptions of the Turing Machine&lt;br/&gt;
So Where Are You From?&lt;br/&gt;
Lovesong&lt;br/&gt;
The Time Lord’s Job Advertisement&lt;br/&gt;
Bookseller Love&lt;br/&gt;
Meeting a Guy Off the Internet&lt;br/&gt;
Genderclusterfuck&lt;br/&gt;
How to Drink on the First Date&lt;br/&gt;
Uncle Albert&lt;br/&gt;
For Jo, Who Was Dubious&lt;br/&gt;
Miracles&lt;br/&gt;
Takeaway&lt;/p&gt;</description><link>http://stewedrhubarb.org/post/34371009207</link><guid>http://stewedrhubarb.org/post/34371009207</guid><pubDate>Sat, 27 Oct 2012 22:36:00 +0100</pubDate><category>books</category><category>Tracy S. Rosenberg</category></item><item><title>Stewed Rhubarb Presents... November 4th</title><description>&lt;a href="http://www.facebook.com/events/514668251879638/"&gt;Stewed Rhubarb Presents... November 4th&lt;/a&gt;: &lt;p&gt;Stewed Rhubarb presents… readings and pamphlets from &lt;/p&gt;

&lt;p&gt;Reigning BBC Slam Champion &lt;b&gt;JENNY LINDSAY&lt;/b&gt; - &lt;i&gt;The Eejit Pit&lt;/i&gt;,&lt;/p&gt;

&lt;p&gt;&lt;b&gt;KATHERINE MCMAHON&lt;/b&gt; - &lt;i&gt;Treasure In The History Of Things&lt;/i&gt;,&lt;/p&gt;

&lt;p&gt;&amp;&lt;b&gt; RACHEL MCCRUM&lt;/b&gt; - &lt;i&gt;The Glassblower Dances&lt;/i&gt;;&lt;/p&gt;

&lt;p&gt;Announcements (assorted), &lt;/p&gt;

&lt;p&gt;Alcohol (rhubarb flavoured),&lt;/p&gt;

&lt;p&gt;And jazz (of course).&lt;/p&gt;

&lt;p&gt;Entry to the Jazz Bar (1a Chambers Street, Edinburgh EH1 1HR) is £3 and includes live jazz until late. :-) The show is 4pm to 6pm on November the 4th, 2012.&lt;/p&gt;

&lt;p&gt;Contrary to popular belief, there will not be a raffle. Not even a little one.&lt;/p&gt;</description><link>http://stewedrhubarb.org/post/34371614549</link><guid>http://stewedrhubarb.org/post/34371614549</guid><pubDate>Fri, 26 Oct 2012 22:46:00 +0100</pubDate><category>events</category><category>Jenny Lindsay</category><category>Katherine McMahon</category><category>Rachel McCrum</category></item><item><title>The Eejit Pit by Jenny Lindsay
Jenny Lindsay is a writer, poet...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_mcirff28US1rf13gfo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;The Eejit Pit&lt;/i&gt; by Jenny Lindsay&lt;/b&gt;&lt;br/&gt;&lt;br/&gt;
Jenny Lindsay is a writer, poet and spoken word promoter who lives in Edinburgh. She started performing poetry in 2002 aged 20, and since then has appeared at a number of festivals and events including the Cheltenham Literature Festival, Latitude, Edinburgh International Book Festival and Stanza. She has showcased the best in UK spoken word through &lt;i&gt;The Big Word&lt;/i&gt; (2002 - 2008), &lt;i&gt;Is This Poetry?&lt;/i&gt; (2010), and is one half of the duo behind Edinburgh’s newest literary-themed cabaret &lt;i&gt;Rally &amp; Broad&lt;/i&gt;. Her first full collection was &lt;i&gt;The Things You Leave Behind&lt;/i&gt; (Red Squirrel Press, 2011). “Full of hope, humanity and humour…She writes defiantly, eloquently and inspiringly.” (Andrew Eaton, &lt;i&gt;The Scotsman&lt;/i&gt;) &lt;br/&gt;&lt;br/&gt;
ISBN: 978-0-9576363-1-6&lt;br/&gt;&lt;br/&gt;
Reviews for &lt;i&gt;The Eejit Pit&lt;/i&gt;&lt;br/&gt;&lt;br/&gt;
Elizabeth Rimmer, &lt;a href="http://www.scottishreviewofbooks.org/index.php/editorsblog/entry/performance-poetry-pamphlets-from-stewed-rhubarb"&gt;The Scottish Review of Books&lt;/a&gt;:
&lt;br/&gt;“[Jenny Lindsay is] justly renowned as a virtuoso performance poet. […] &lt;i&gt;The Eejit Pit&lt;/i&gt; is a snapshot of an accomplished performer, but also a work of art in its own right.”&lt;br/&gt;&lt;br/&gt;
Sally Evans, &lt;a href="http://poetryscotlandreviews.blogspot.co.uk/2013/03/stewed-rhubarb.html"&gt;Poetry Scotland Reviews&lt;/a&gt;:&lt;br/&gt;
“[These are] poems of confidence and substance. She can be expansive or minimal, cheerful and funny, or less cheerful but still funny.”&lt;br/&gt;&lt;br/&gt;
Harry Giles, &lt;a href="http://drfulminare.com/eejitreview.php"&gt;Sidekick Books&lt;/a&gt;:&lt;br/&gt;
“Whether it’s in sarcastically loving odes like &lt;i&gt;Edinburgh&lt;/i&gt; or bitter zeitgeist narratives like &lt;i&gt;Tick&lt;/i&gt;, the voice that sounds clearly is of 21st century anger, scunnered by self-consciousness and lightened by cautious hope. […] &lt;i&gt;The Eejit Pit&lt;/i&gt; is a rich and complex way marker of our journey through […] the continuing debates between performance poets and page poets.”
&lt;br/&gt;&lt;br/&gt;
The poems:&lt;br/&gt;&lt;br/&gt;
Edinburgh&lt;br/&gt;
The Things You Leave Behind&lt;br/&gt;
Intimacy&lt;br/&gt;
Taking Back the Night&lt;br/&gt;
I Promise I Will Not Fall in Love With You&lt;br/&gt;
Tick&lt;br/&gt;
Mirrors&lt;br/&gt;
The Truth&lt;br/&gt;
The Eejit Pit&lt;/p&gt;</description><link>http://stewedrhubarb.org/post/34370076490</link><guid>http://stewedrhubarb.org/post/34370076490</guid><pubDate>Fri, 26 Oct 2012 22:23:00 +0100</pubDate><category>Jenny Lindsay</category><category>books</category></item><item><title>Treasure in The History of Things by Katherine...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_m9hos408Dm1rf13gfo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;Treasure in The History of Things&lt;/i&gt; by Katherine McMahon&lt;/b&gt;
&lt;br/&gt;&lt;br/&gt;
Katherine McMahon is a performance poet and spoken word promoter. She co-organises of &lt;a href="http://inkyfingersedinburgh.wordpress.com/"&gt;Inky Fingers&lt;/a&gt;, a collective which runs open mics, workshops, slams and other wordy events. She has also organised events with No Rhyme No Reason, including a spoken word programme for the National Museum of Scotland’s &lt;i&gt;Museum Late&lt;/i&gt; event, and &lt;i&gt;OUT:SPOKEN&lt;/i&gt; - a showcase of Scottish queer performance poetry. She has won several slams herself, and is a regular on the Edinburgh scene, performing across the city as well as further afield. She also once won a &lt;i&gt;Blue Peter&lt;/i&gt; badge for a poem (aged 9). &lt;i&gt;Treasure in the History of Things&lt;/i&gt; is her first pamphlet, and is paired with a CD album of her collaboration with musician and sound designer Fiona Keenan.&lt;br/&gt;&lt;br/&gt;

Reviews for &lt;i&gt;Treasure in The History of Things&lt;/i&gt;&lt;br/&gt;&lt;br/&gt;
Elizabeth Rimmer, &lt;a href="http://www.scottishreviewofbooks.org/index.php/editorsblog/entry/performance-poetry-pamphlets-from-stewed-rhubarb"&gt;The Scottish Review of Books&lt;/a&gt;:&lt;br/&gt;
“[Katherine McMahon is] a mellifluous performer. [… &lt;i&gt;Treasure in The History of Things&lt;/i&gt; contains] some very beautiful and thoughtful pieces.”&lt;br/&gt;&lt;br/&gt;
Dana Bubulj, &lt;a href="http://sabotagereviews.com/2013/02/17/treasure-in-the-history-of-things-by-katherine-mcmahon/"&gt;Sabotage&lt;/a&gt;: &lt;br/&gt;
“McMahon manage[s] to engage with familiar imagery without it becoming trite, and with a self-awareness coupled with wonder at nature that makes it rather charming. […] The poems stay away from the realms of the overdone sublime and stay fresh.”
&lt;br/&gt;&lt;br/&gt;
The poems:
&lt;br/&gt;&lt;br/&gt;
Blackberries&lt;br/&gt;
Duskfall&lt;br/&gt;
Aloud&lt;br/&gt;
Jetsam&lt;br/&gt;
Gold&lt;br/&gt;
Storm&lt;br/&gt;
Haar&lt;br/&gt;
Afforestation&lt;br/&gt;
Weather Report&lt;br/&gt;
Nautical Almanac&lt;br/&gt;
Labyrinth&lt;br/&gt;
Shine&lt;br/&gt;&lt;br/&gt;&lt;a href="http://katherinemcmahon.bandcamp.com/album/treasure-in-the-history-of-things"&gt;Both pamphlet and album can be purchased on Bandcamp.&lt;/a&gt;&lt;br/&gt;&lt;/p&gt;</description><link>http://stewedrhubarb.org/post/30417738477</link><guid>http://stewedrhubarb.org/post/30417738477</guid><pubDate>Wed, 29 Aug 2012 00:48:00 +0100</pubDate><category>books</category><category>Fiona Keenan</category><category>Katherine McMahon</category></item><item><title>The Glassblower Dances by Rachel McCrum

Winner of the Callum...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_m9hoqzFZd11rf13gfo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;b&gt;&lt;i&gt;The Glassblower Dances&lt;/i&gt; by Rachel McCrum&lt;/b&gt;
&lt;br/&gt;&lt;br/&gt;
Winner of the Callum Macdonald Memorial Award 2013.
&lt;br/&gt;&lt;br/&gt;
Rachel McCrum has been working as a performance poet in Edinburgh since 2010. She is one half of &lt;i&gt;Rally &amp; Broad&lt;/i&gt;, the newest literary cabaret extravaganza to emerge from Edinburgh. She was a finalist at the 2012 BBC Edinburgh Festival Poetry Slam and winner of the 2012 International Women’s Day Slam. She co-organises Inky Fingers, the Edinburgh based spoken word collective, and has performed across Scotland with Hello Poetry, Blind Poetics, the Golden Hour and at Wickerman Festival. &lt;i&gt;The Glassblower Dances&lt;/i&gt; is her first pamphlet.
&lt;br/&gt;&lt;br/&gt;
ISBN: 978-0-9576363-0-9
&lt;br/&gt;&lt;br/&gt;
Reviews for &lt;i&gt;The Glassblower Dances&lt;/i&gt;
&lt;br/&gt;&lt;br/&gt;
Elizabeth Rimmer, &lt;a href="http://www.scottishreviewofbooks.org/index.php/editorsblog/entry/performance-poetry-pamphlets-from-stewed-rhubarb"&gt;The Scottish Review of Books&lt;/a&gt;:&lt;br/&gt;
[Rachel McCrum] combines the linear and leisurely flow of the performer with the feel for structure and pattern of a page poet, and a complexity of thought which does credit to both. […] A useful taster for what I hope will soon be a full collection of poetry.”&lt;br/&gt;&lt;br/&gt;
Sally Evans, &lt;a href="http://poetryscotlandreviews.blogspot.co.uk/2013/03/stewed-rhubarb.html"&gt;Poetry Scotland Reviews&lt;/a&gt;:&lt;br/&gt;
“The sense that this is the perfect way to say something is never far off as you read her poems.”
&lt;br/&gt;&lt;br/&gt;
The poems:
&lt;br/&gt;&lt;br/&gt;
Stewed Rhubarb&lt;br/&gt;
Broad&lt;br/&gt;
Peg&lt;br/&gt;
A Quest for Kisses&lt;br/&gt;
On Lapicide Street&lt;br/&gt;
Sundrunkroadtrip&lt;br/&gt;
Bulbs&lt;br/&gt;
Are The Kids Alright?&lt;br/&gt;
Fuel&lt;br/&gt;
Last Night Ashore&lt;br/&gt;
Dirtied Pints&lt;br/&gt;
Zippo Endings&lt;br/&gt;
The Glassblower Dances&lt;br/&gt;
Drippings&lt;/p&gt;</description><link>http://stewedrhubarb.org/post/30417690245</link><guid>http://stewedrhubarb.org/post/30417690245</guid><pubDate>Wed, 29 Aug 2012 00:47:00 +0100</pubDate><category>books</category><category>Rachel McCrum</category></item></channel></rss>
